Black Valve Media recently collaborated with Cleveland band firebrand on the official music video for their new single “Untether,” helping bring the project’s analog-inspired visual style to life through custom CRT playback and practical television effects filmed inside Studio J.
For the production, Black Valve Media’s multi-screen CRT TV wall was used to create layered visuals throughout the performance sequences. Different images and clips were programmed across the various screens to build a chaotic, fragmented atmosphere that matched the emotional intensity of the song. Rather than displaying a single feed across every television, the setup allowed unique visuals, textures, and motion elements to play independently across the wall, giving the video a more dynamic and immersive look directly in-camera.
Ahead of filming, Evan and Hunter Prunty worked to prep and organize the television wall playback system, loading and coordinating the visual content used throughout the shoot. On the day of production, Evelyn Engle from Black Valve Media assisted on set with playback operation, helping ensure the visuals across the CRT wall synced properly during filming and matched the creative direction of the video team.
The project is another example of how Black Valve Media’s practical playback setups and retro television inventory can be integrated into music videos, commercials, and film productions to create unique visuals without relying entirely on post-production effects. Studio J’s flexible production space and curated collection of CRT displays continue to be used for projects looking for authentic analog textures, layered screen effects, and custom playback environments.
The “Untether” music video was produced by Scooter Allen at Rewire Recording Studio and created by Studio: Sillie, co-directed and edited by Gabe Gazic, co-directed by Richard Bryer, filmed by Andrew Delly, with additional help from Adam Michalski. Filming also took place at the Cleveland State School of Film & Media Arts.
We’re really excited to officially partner with Bird Collective — a company whose mission and passion for conservation align so closely with what we care about at Anna Goes Outside.
Bird Collective is committed to protecting birds and preserving their populations for future generations. In the last 50 years, North America has lost more than one in four birds, and Bird Collective actively supports projects and organizations working to reverse that decline.
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And honestly… they just make really awesome birding merch.
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The Cleveland State University Film & Media Arts Department recently brought together a group of local filmmakers for a behind-the-scenes discussion about creating films in Cleveland, highlighting the collaboration, creativity, and problem-solving that power independent productions in Northeast Ohio.
Moderated by Mike Wendt of the Greater Cleveland Film Commission, the panel featured local crew members who worked on the feature film Buddy, which made its first Midwest appearance at the 50th Cleveland International Film Festival with a screening at the Allen Theatre in Playhouse Square on April 10.
The panel included:
Shawna-Nova Foley — Costume Designer
Janel Moore — Costume Supervisor
Evan Prunty — Video Assist / Co-Owner of Black Valve Media
Schuyler White — Stunt Coordinator & SFX Supervisor
Throughout the conversation, the filmmakers discussed the unique challenges of producing Buddy, from working with puppets and child actors to coordinating complex stunt work and virtual production environments. The panel also highlighted the importance of Cleveland’s collaborative film community and how local crews consistently come together to solve problems creatively under demanding production schedules.
During the discussion, Evan spoke about his role in Video Assist and the advantages of shooting at TRG Multimedia, where much of the film was produced. He discussed how working on a stage environment improved efficiency for departments across production and allowed crews to move quickly between setups while maintaining continuity and organization.
The conversation also explored the use of virtual production technology on Buddy. Evan shared how combining practical foreground elements with LED wall environments helped create more believable worlds on screen, while also streamlining production logistics between scenes and locations.
The event offered students and attendees an inside look at the realities of filmmaking in Cleveland and reinforced the strength of the city’s growing production community. From costume design and stunt coordination to puppeteering and on-set playback, the panel showcased the wide range of talent helping bring ambitious productions to life in Northeast Ohio.